Cheval Noir Jury at Fantasia

It was a pleasure to be part of the Cheval Noir jury at the Fantasia International Film Festival. I particularly enjoyed Vincent Must Die (Vincent doit mourir), a smart and inventive update of the zombie film that nods to Jean-Luc Godard's Weekend - we gave it a well-deserved Special Jury Mention. Pic credit: Vincent doit... Continue Reading →

The Petting Zoo

The short film I have written and directed, THE PETTING ZOO, is now finished. It's a ghost tale about five friends who go to the woods on Halloween and get lost in a local legend. I had invaluable help from the hugely talented Jonathan Zaurin and was lucky to work with a brilliant team of... Continue Reading →

A Woman Kills (La femme bourreau)

I'm very happy to have contributed an introduction + a commentary alongside the brilliant Kat Ellinger to Radiance Films' release of A Woman Kills (La femme bourreau), directed by Jean-Denis Bonan, a one-time Jean Rollin associate, in 1968. Lost for 40 years, A Woman Kills is a radically odd serial killer story that was shot... Continue Reading →

Straight On Till Morning on ResonanceFM: Korean horror cinema special

In this episode of the Straight On Till Morning radio show, I host a discussion on Korean horror film with Kim Newman, author of Nightmare Movies, and film critic Anton Bitel in the aftermath of the London Korean Film Festival. https://www.koreanfilm.co.uk/https://johnnyalucard.com/https://projectedfigures.com First broadcast on 29th November 2022. Pic credit: The Anchor (Dir. Jeong Ji-yeon, 2022)... Continue Reading →

Straight On Till Morning podcast: FrightFest 2022

Listen to the annual podcast round-up of the Arrow FrightFest festival with Kim Newman, Anton Bitel and me: This year's themes were: Influencers Religious cults Unwelcome guests New women Tight spots Films mentioned include: Deadstream Follow Her Sissy Something in the Dirt Candy Land New Religion The Leech Who Invited Them Torn Hearts Piggy Family... Continue Reading →

Enys Men: Oblique, transformative folk horror

I reviewed Mark Jenkin's follow-up to Bait for the Sight&Sound website in May 2022. The review was published in the Winter 22-23 issue of the Sight&Sound magazine. An oblique take on 1970s folk horror, Enys Men creates a genuinely haunting experience rooted in the Cornish landscape. Synopsis: A middle-aged woman (Mary Woodvine) lives alone on... Continue Reading →

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