We Are the Flesh: Constructing a Sadean Carnal Theatre

In its run of horror and genre festivals last year, We Are the Flesh (Tenemos la carne, Mexico/France 2016), written and directed by Emiliano Rocha Minter, stunned and divided critics and audiences alike. Its sensational material, including candid sex scenes, incest, cannibalism, orgy and slaughter, may on first view identify it as exploitation. Its inclusion... Continue Reading →

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