Writer. Film Scholar. Journalist. Editor.
In an essay written for the limited edition Blu-ray of Jörg Buttgereit's Schramm released by Arrow Video, I trace the continuity from Fritz Lang's M to Schramm in relation to themes of guilt and death and the historical past of Germany.
What power does the word 'bitch' hold? Can it be reclaimed and used in relation to some of the female roles in film and TV? What is the power of female actors who have played a character who we could call a ‘bitch’ on screen? How are these screen roles created in cinema and TV,... Continue Reading →
Despite living only to the age of 39, Marie-Louise Iribe was a dynamic film pioneer who crammed multiple achievements into her short life, as an actor as well as director and producer. Ambitious and cultured, she formed her own production company, directed two features and was one of the few women directors who made the... Continue Reading →
Underappreciated Spanish director José Larraz made his first five films in Britain, and his best-known and most reputable, the psychological mystery Symptoms, even represented the UK at the Cannes Film Festival in 1974. The isolated mansion of Symptoms, where obsessive passions dangerously brew, the surrounding damp, leaf-littered woods and the murky river hiding buried secrets,... Continue Reading →
Despite creating one of the most wonderfully strange films of 1970s Italian cinema, Footprints (Le orme, 1975), director Luigi Bazzoni remains little known. His output may be scarce, five features concentrated over a 10-year period, but his intelligence and visual sophistication are unquestionable. Skirting the dominant genres of the time, two of his films are... Continue Reading →
Three months ago I was as normal as anybody. I had a decent job, a nice home, a pretty girlfriend. I liked drinking beer, watching films and playing video games. ‘Grow up,’ my girlfriend would say, as girlfriends do. If only I’d listened… To her, and to Jack too. But no, I wouldn’t stop, I... Continue Reading →
In this essay for Sight & Sound, I trace the fantastique tradition of French cinema, from A Trip to the Moon (1902) to Raw (2016). Over the last two decades, some of the most notable films to come out of France have shunned realism, choosing instead to challenge the boundaries of the tangible and the... Continue Reading →
From the very first films by the Lumière brothers, French cinema has been perceived as tending towards the real; but there’s an alternative tradition that also stretches back to the dawn of cinema – that of the fantastique. It incorporates elements of fantasy, horror and science fiction into bizarre, atmospheric tales in which the unexplained... Continue Reading →
It is possible to see in the frightening “watching” camera of Peeping Tom an echo of one of the most archaic figures of terror in Western culture: the ancient Greek monster Medusa. Not only does Medusa embody “the most primitive fears of the kind that men have dreaded since earliest times” (Feldman, 1965: 490), it... Continue Reading →
It has been a long time coming, but the films made by French master director Henri-Georges Clouzot in the later part of his career are finally getting some attention. For decades, the general critical consensus has been that he made his best work in the 1940s-50s, with Le corbeau (1943), Quai des orfèvres (1947), Le... Continue Reading →
Virginie Sélavy 