I have written about Jean Rollin's virgins and vampires for The Irish Journal of Gothic and Horror Studies (Issue 18, Autumn 2020), looking at the way in which they develop the subversive aspects of the persecuted maidens and fatal women of 18th- and 19th-century Anglo-Irish Gothic novels into the 1960s-70s. Pic credit: Le viol du... Continue Reading →
Virgins and Vampires: The ambiguous women of Jean Rollin’s Gothic dreams
Amid the political upheaval of late 1960s France, Jean Rollin offered anachronistic visions of ruined castles and decaying cemeteries, steeped in the Gothic novel of the 18th and 19th century via his love for surrealism. But despite their seemingly archaic Gothic settings, Rollin’s films transgress genre expectations, and in particular, the conventional opposition between female... Continue Reading →