On April 13th the BFI Southbank in London was packed with a motley crowd of Jodorowsky enthusiasts, from old-timers to young hipsters, from red-haired eccentrics to scruffy types in seventies cords. The Chilean-born director had travelled from Paris, where he now lives, on the occasion of the re-release of his legendary seventies films El Topo... Continue Reading →
An ABC of Film: Hollis Frampton and the Cultural Tradition of Film
My Ph.D. thesis, completed at King's College, London, in 2003 (unpublished), focuses on Hollis Frampton, a central figure of the practice of film that has variously been referred to as “experimental”, “underground” and “avant-garde”. This thesis attempts to demonstrate the coherence of Frampton’s ambitious project of constituting a tradition of film. It is a detailed... Continue Reading →