A Woman Kills (La femme bourreau)

I'm very happy to have contributed an introduction + a commentary alongside the brilliant Kat Ellinger to Radiance Films' release of A Woman Kills (La femme bourreau), directed by Jean-Denis Bonan, a one-time Jean Rollin associate, in 1968. Lost for 40 years, A Woman Kills is a radically odd serial killer story that was shot... Continue Reading →

Straight On Till Morning on ResonanceFM: Korean horror cinema special

In this episode of the Straight On Till Morning radio show, I host a discussion on Korean horror film with Kim Newman, author of Nightmare Movies, and film critic Anton Bitel in the aftermath of the London Korean Film Festival. https://www.koreanfilm.co.uk/https://johnnyalucard.com/https://projectedfigures.com First broadcast on 29th November 2022. Pic credit: The Anchor (Dir. Jeong Ji-yeon, 2022)... Continue Reading →

Straight On Till Morning podcast: FrightFest 2022

Listen to the annual podcast round-up of the Arrow FrightFest festival with Kim Newman, Anton Bitel and me: This year's themes were: Influencers Religious cults Unwelcome guests New women Tight spots Films mentioned include: Deadstream Follow Her Sissy Something in the Dirt Candy Land New Religion The Leech Who Invited Them Torn Hearts Piggy Family... Continue Reading →

Enys Men: Oblique, transformative folk horror

I reviewed Mark Jenkin's follow-up to Bait for Sight&Sound. An oblique take on 1970s folk horror, Enys Men creates a genuinely haunting experience rooted in the Cornish landscape.A middle-aged woman (Mary Woodvine) lives alone on an island dominated by an ancient stone. Every day, she goes through the same mysterious ritual, checking unusual flowers on... Continue Reading →

Suspirias Symposium: Trauma, Memory and the Body

I will be speaking at the Suspirias symposium on Saturday 11th June at Queen Mary University. Tickets are free, registration essential. This symposium considers Dario Argento’s 1977 giallo horror Suspiria alongside Luca Guadagnino’s 2018 film of the same name. The 2018 film has been positioned in a cycle of ‘serious’ horror films, an arthouse spin... Continue Reading →

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